Monday, September 15, 2014

The Power of Presuppositions


"Education is a series of religious acts partly because the power of assumption is so great. Assumptions are even more powerful than assertions because they bypass a persons critical faculty and thereby create prejudice. Government education assumes God to be irrelevant to the educational process when, in fact, "The fear of the Lord is the beginning of knowledge" (Proverbs 1:7). Such false assumptions by the government schools can then be combined with arguments that prove the truth of what is false. These false assumptions are particularly beguiling because they appeal to one of our worst instincts - the desire to be fashionable or at least to avoid being associated with the unfashionable or unpopular." 

Herbert Schlossberg,  (Idols for Destruction, 1983, p. 210)

The above quotation was found in Randy Booth's chapter "Family and Education" in The Church-Friendly Family, edited by Uri Brito.  In about a dozen pages, Pastor Booth articulates the best content summary of Christian Education that I have ever heard or read in my life.  I cannot recommend it to you highly enough.

So many kindly old ladies ask in exasperation, "How could anyone look at the hummingbird in flight or the sun setting over the ocean, or the elegant double helix of a DNA strand and not recognize God's glory on display?"

Friday, August 29, 2014

Dante's Moral Imagination


"Dante does something very, very interesting and - to the limit of my ability to judge such things - something deeply true and wise in his characterization of the deepest level of Hell.
I have in my day seen three different discotheques named "Dante's Inferno".  To name a discotheque "Dante's Inferno" you are, I presume, counting on the notion of heat; transgressive sexuality; wild, hot stuff.  There is a kind of glamour in evil: "bad boys"  I've heard it said that the world of men is divided into husbands and lovers.  The husbands are dull and good, and the lovers are bad and sexy.  Rock stars for my entire lifetime have been cashing in on this motif.
Dante is having none of it.  For him, evil is not glamorous.  If I may be permitted such an observation, Milton gets into a fair amount of interpretative trouble because his Satan is so glamorous.  No one ever said that Dante's Satan is the real hero of The Comedia.  And there's good reason for that.  We only see him in one canto and he can't talk.  He is however very good at drooling.
This is de-glamorizing evil.  And evil is de-glamorized in another way, because the deepest level of Dante's Hell is not fire.  It's ice; cold, motionless, dark, near-absolute zero, frigidity; nothingness.  There's nothing cool - nothing cool - about Dante's Satan...
[Just as at Babel] what thwarts human presumption is a kind of anti-intellect, anti-intelligibility.  So what stands at the center of Hell is gigantic idiocy; literally gigantic, drooling idiocy.  And the punishment here is cold and ice."

- Dr Timothy Schutt, Dante Scholar  

Monday, August 25, 2014

Jesus, our Eden; Jesus, our Babel


Have this mind among yourselves, which is yours in Christ Jesus, who, though he was in the form of God, did not count equality with God a thing to be grasped, but emptied himself, by taking the form of a servant, being born in the likeness of men. And being found in human form, he humbled himself by becoming obedient to the point of death, even death on a cross. Therefore God has highly exalted him and bestowed on him the name that is above every name, so that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue confess that Jesus Christ is Lord, to the glory of God the Father.  

- Philippians 2
                     
Having just finished a week of intensive study from Genesis, I can't help but see that here in this oft-debated kenosis passage, Paul is alluding back to our earliest history as a people - the points where we got it wrong our Lord Jesus got it right.

The sin of Adam wasn't simply stealing the King's food [although it was that], it was a power grab.

Monday, August 4, 2014

Bleeding-Heart Calvinism


My friend, pastor Joost Nixon, narrating his article - my favorite of all time.  Enjoy.


Wednesday, July 30, 2014

Transformed by the Renewing of Your Minds


As much as pragmatic Americans might wish it to be otherwise, the Bible is not an answer-book.  It includes advice, and laws, and rules, but a lot of it consists of puzzling prophecy, ancient history, obscure parables and apparently abstract theology.  What are we supposed to get from that?  We ask for an answer key, and God gives us poetry.  Can’t we just skip the story and get to the moral? 
No we can’t.  
God gave us the Bible to guide us, but also – more fundamentally – to form us.  By studying the Bible, hearing it, reading it, learning from it, we are being remade.
One of the ways the Bible remakes us is by giving us clues about God’s character and work.  Parables aren’t moralistic tales.  They’re allegories of God’s work in the world, the mysteries of His kingdom.  By learning the parables, we learn to anticipate God’s next move. 
We anticipate that when wheat is sown, weeds will be sown as well.  We anticipate that we’ll have to wait for harvest for everything to be sorted out.  We learn that the tree that counts doesn’t even look like a tree, but more like a bush, or a cross.  We learn that God’s kingdom moves ahead through agents that we recoil from – prostitutes, tax-gatherers, sinners – as God sanctifies the world using the unclean.
But by learning the parables, living in the parables, and living out the parables, we come to know the ways of God.  God is the choreographer and lead partner of our history and of our lives, and by learning the rhythm of the parables, we learn to keep in step with our dance partner.

- Peter Leithart

Tuesday, July 29, 2014

A Japanese Bach Collegium? But Why?


"The God in whose service Bach labored and the God I worship today are one and the same. In the sight of the God of Abraham, I believe that the two hundred years separating the time of Bach from my own day can be of little account. This conviction has brought the great composer very much closer to me. We are fellows in faith, and equally foreign in our parentage to the people of Israel, God’s people of Biblical times. Who can be said to approach more nearly the spirit of Bach: a European who does not attend church and carries his Christian cultural heritage mostly on the subconscious level, or an Asian who is active in his faith although the influence of Christianity on his national culture is small?”

- Masaaki Suzuki, 

on the strangeness of his life's labors to establish a Japanese Bach Collegium